Tag: ‘booklife’

Nisi Shawl and Cynthia Ward: Guest-blogging on Booklifenow This Week

Nisi Shawl and Cynthia Ward, authors of Writing the Other, among other books, will be guest-blogging this week on Booklifenow. Please help welcome them–I think you’ll find their posts fascinating.

Here’s more about both writers…

(more…)

Everything I’ve learned about writing this year I’ve relearned by watching the Olympics [Part III]

Today is my last visit to BookLife and I want to thank Jeff Vandermeer again for asking me to contribute this week. It’s been fun parsing thoughts about the Olympics through the lens of the writing life and I appreciate all the support and comments I’ve received. Remember, I can be found at Writer’s Rainbow at any given moment; this weekend I’ll be adding the March monthly dispatch, an introductory discussion into the three basic building blocks of a writing platform, so drop by sometime, check it out, and leave a comment! I wish all of BookLife’s readers a solid 2010 filled with inspiration and prosperity. 

Back to our regularly scheduled programming… I left my favorite observations for last. I live in the Puget Sound area, so the fact that I’m a huge fan of Apolo Ohno should come as no surprise. I do appreciate a golden child whenever he or she does come along (complete with awesome attitude), so I must also confess a fondness for snowboarder Shawn White. How can we not live in awe of these two Olympians? Here is what I took away from each of them over the last couple of weeks. (more…)

Everything I’ve learned about writing this year I’ve relearned by watching the Olympics [series Part Two]

On Monday, I brought up some thoughts inspired by 10 days spent watching the recent winter Olympics in Vancouver on TV. Here are two more lessons I culled which offer relevance and perspective for writers:

Expect to earn your medals every time.

Snowboarder Lindsey Jacobellis kinda blew it in Torino. She hotdogged her way to a second place in women’s snowboard cross when she had the gold medal practically around her neck on that last slope.

Jacobellis has had to live that down for the last 4 years and went to Vancouver hoping to redeem herself. It didn’t quite happen: this year, (more…)

Everything I’ve learned about writing this year I’ve relearned by watching the Olympics [series Part One]

Hi everyone! I want to thank Jeff at BookLife for inviting me to take the reins this week at his wonderful, must-read blog. There are few things I love more than blogging about and for writers and writing, so it’s an honor to do so at one of the smartest writing blogs out there.

Anticipating the content of my posts this week has been rather challenging: there’s so much to write about! But it came to me on Saturday as I realized my interest in the Olympics was beginning to wane. 

I’d seen all I needed to see of curling, short track speed skating, downhill, bobsled, snowcross and the like. But the Olympics always linger in my mind long after the network has packed up its cameras and talking heads and returned to regularly scheduled programming. 

Witnessing (live or on TV) the prowess of the world’s athletes is always inspiring to me. I grew up in a sports household (baseball, basketball, track and field, gymnastics, soccer, football, softball, volleyball, tennis have all been played with regularity by at least one member of my immediate family), so I’m already in the practice of appreciating the work that goes into excelling at sports. 

But the world’s finest athletes perform with a caliber and grace that takes human experience beyond what it means to be fit or a sound competitor. These are the titans of the modern day, and like the titans of the past, the masses can’t help but idolize them as the demi-gods they truly are. 

This week, I offer the series, “Everything I’ve learned about writing this year I’ve relearned by watching the Olympics” in three parts. As writers, we have cobbled together our own hopes and dreams for becoming the future titans of the literary world. We have much to learn from athletes, and this Monday, Wednesday, and Friday, I’ll give examples that show how writers can learn from the trials of Olympians.

Today I’ll talk about discipline and perseverance.  (more…)

Happiness as a By-Product: An Interview with Jessa Crispin, Founder of Bookslut.com

Back in August of 2009, Jessa Crispin, the founder of Bookslut.com (I wrote a comics column for them for a year) posted a short essay on The Smart Set about writing and the writing life that referenced Booklife, largely in a negative sense. This caused me quite a bit of anguish, to be honest. It’s one thing to get a negative review on a novel; it’s quite another to think, even for a second, that you might have written something actively harmful to people.

I intended Booklife as a helpful guide that combined advice on how to navigate your way through the myriad of potentially distracting and useless tools and opportunities provided by the internet with modern advice on a host of more personal issues related to writing and being a writer, based on 25 years of experience. Crispin saw it at least in part as potentially manipulative or cynical, and placed it in the context of the many new “get-rich-quick” books that detail how to do internet marketing and the like.

After a more careful examination of her essay, however, I came to the conclusion that a difference in defining terms like “contact” might be part of the problem–that, in fact, whether you were to call someone a “contact” or an “ally,” the same points applied: in all of your dealings with other people, whether about your work or generally, be a sincere human being.

Of course, there’s also the uncomfortable truth that no one is ever going to perceive your book exactly the way that you intended for it to be perceived. In coming into contact with the world the text changes, given an additional dimension by readers. Nor do I think Booklife is perfect–part of the point of the book is to continually test it, to not only use it but to also define yourself as a writer by what you disagree with in the text.

That said, I decided it would be interesting to interview Crispin about issues related to the modern writer’s life and Booklife. The results are great—rock-solid advice and insight.

At least one of her answers deserves special emphasis, since I think it’s becoming a major problem in the largely hierarchy-blind world of the internet: “I do worry a little that the modern age has taken the failure stage out of the creative process. Now if you can’t get your manuscript published, it’s because the publishers are cowards, can’t see your genius, and you can self-publish it (and then send out slightly crazed emails to critics). There is a lack of humility, a failure to recognize that getting knocked on your ass is actually good for you.”

There’s also nothing in her answers that I would disagree with; indeed, there’s nothing in Booklife that would intentionally contradict the idea of focusing on the craft and art of fiction over the need to promote your work. Does that mean I won’t be making some changes in the second edition? Not at all, and one of those changes will be to add an introduction to the Public Booklife section that references Crispin’s Smart Set essay, and makes doubly or triply clear the context in which I am providing that information.

So, without further preamble, an interview with Jessa Crispin—with sincere thanks to her for doing the interview.

(more…)

You Are Not a Gadget…Or, at Least, You Shouldn’t Be

One of Matt Staggs’ links last week was to a New York Times Book Review piece on Jaron Lanier’s book You Are Not a Gadget. I haven’t read the book, but the description of its main points really resonated with me, especially because I’m currently taking a break from Facebook and my personal blog.

This part of the review made perfect sense to me:

Mr. Lanier, a pioneer in the development of virtual reality and a Silicon Valley veteran, is hardly a Luddite, as some of his critics have suggested. Rather he is a digital-world insider who wants to make the case for “a new digital humanism” before software engineers’ design decisions, which he says fundamentally shape users’ behavior, become “frozen into place by a process known as lock-in.” Just as decisions about the dimensions of railroad tracks determined the size and velocity of trains for decades to come, he argues, so choices made about software design now may yield “defining, unchangeable rules” for generations to come.

This argument and others from his book mirror my own concerns about new media. Even as I’ve embraced much of what new/social media has to offer, I also strongly recommend, in Booklife and in my lecture for MIT, thinking about what you’re doing and remembering the importance of balance. In particular, these points:

(1) New media tools like Facebook and Twitter are exactly that—tools. They are not strategies. Just getting on Facebook, creating a blog is not a strategy or a plan. I can’t repeat that enough.

(2) It’s when you mistake the tools for a strategy that you begin to not only become tactical and reactive but also limited in your thinking because of the limitations of the tools.

(3) The most successful writers in the future will be the ones that stop responding in Pavlovian fashion to our current need for that little food pellet in the form of a response to a Blog entry, Twitter line or a Facebook status message.

(4) Further, the tools which you help realize both a creative project and create interest for it are constantly changing. Thus a focus on the tools is a focus on what will all too soon be the past.

(5) A focus on tools thus also means that you are in some ways limiting your options by letting the limitations of the tool and the preconceptions the tool engenders shape your project. Don’t let your imagination become a lackey to a new media tool. If a tool controls your actions, it to some extent controls your imagination.

Lanier’s book also seems to make strong arguments about not supporting mob behavior on the internet, something that we’ve seen too often—in which sheer force of numbers seems to win an argument, even when there hasn’t been true or logical discussion of the issues. Nuance suffers and the facts tend to become distorted.

Food for thought–and a book I’ll be picking up shortly. Amazon has an interesting interview with the author here.

Good For Your Booklife: In Praise of Indie Bookstores

One thing about my recent five-week book tour behind Finch and Booklife that I particularly loved was getting to read in so many great independent bookstores. Indies are extremely important to the well-being of book culture and often serve as strongholds for author events. This month, Indiebound has listed Finch as one of its Indie Notables, something I’m very proud of.

You can find some longer descriptions of indies in my book tour reports for Omnivoracious, but below the cut I’ve written downpersonal impressions of the indie bookstores I visited during the tour–including some little-known facts about each. A huge thanks to each and every one of them.

I’m also rolling out the new Finch negative campaign ad video (see above). Friends and fans from all over the world contributed to the video. After some bugs in moviemaker, Matt Staggs stepped in to finish it, including doing the voice-over. If you like the book, please feel free to post the video and a link to Indiebound this month, along with your own praise of the indies. Thanks.

(more…)

Booklife Essay: Luck’s Child by Marly Youmans

Marly Youmans has published young adult, genre, and literary fiction in a variety of publications and in book form for publishers including Farrar, Straus, & Giroux, Penguin, and many others. Her essay here, originally published in the appendices to Booklife, reminds us that some elements of a career are out of our control.

This week as the book tour winds up, I’m at the Fountain Bookstore in Richmond, Virginia, the Chapel Hill Comics Shop, and Manuel’s Bar in Atlanta. Check the schedule for more details. – Jeff

(more…)

Booklife Essentials: Chasing Experience? An Interview with Nathan Ballingrud

Nathan Ballingrud is a remarkable short fiction writer who has won the Shirley Jackson Award and had his work reprinted in year’s best anthologies. I first met him at the Clarion Writers Workshop in 1992. Pertinent to our discussion of “Chasing Experience,” I remember that the first day he locked himself in his dorm room and
typed furiously for a couple of hours. Suitably intimidated, we all thought Nathan was incredibly committed to his art. But, as he told me many years later, in fact he wasn’t typing anything: he was just nervous about meeting the other writers attending the workshop. Although Nathan talks about experience in the context of “genre” writers, I believe what he says is relevant to all writers.

(This week, by the way, I’m in the Carolinas speaking at Wofford College, Malaprops, and a Barnes & Noble in Burlington. Check out the full schedule for details.)

(more…)

The Perils of Success for Writers


(Always remember to celebrate your writing success…just don’t lose your head. Photo by Jeremy Tolbert.)

Success can be as difficult for a writer as managing feelings of despair at not being successful. For one thing, if your goal was to publish a novel with a major commercial publisher and you’ve suddenly achieved that goal after years of work…what do you do next? You may not have thought past that point, and thus feel at loose ends, drifting, at the very moment when most people think you should be celebrating. Or, you may have spent so much time expecting the worst and having to push up against gatekeepers and other obstacles…that the lack of an obstacle makes you stumble. You literally don’t know what to do without an obstacle in your path. It throws off your balance. Finally, success may go to your head and you may behave like a coked-up rock star for a few months, until reality hits you in the face.

One child prodigy I know had four novels out from Bantam by her early twenties but by the age of twenty-five had literally joined a circus and disappeared into Eastern Europe, never to return — as an author, at least. Another writer achieved great commercial success at the expense of mental health, ever more erratic in emails and face-to-face meetings, and eventually became a recluse. A third writer got a huge deal for three books and, with his day job as an anchor, proceeded to adopt an arrogant attitude, and blow almost all of the money on clothes, books, travel, and thirteen pairs of very
expensive shoes.

Failure’s easy — wrecking your life, not living up to your talent, can be accomplished painlessly over years, or even over the course of an afternoon if you really put your mind to it. But once you’re successful, you have real problems: expectations put on you, readers who correspond with you, and responsibilities you could never even imagine while you were typing away in your tiny office, certain no one would ever read your words even as you hoped
the opposite would be true.

Even a modicum of success can throw you off of your game, especially if there’s an unfair niggling little voice in the back of your head saying you don’t deserve it. Success is a form of praise, and praise can be hard to take, because it requires acknowledging a form of love. We’re generally not good with love, or being as generous to ourselves as we’re told to be to others.

Here are some of the possible untoward results, of success, sudden or otherwise:

• You quixotically quit your day job based on having won a lottery that you may never win again — namely, the big book advance — and run out of money within a couple of years. (Crawling back is much, much worse than never having left, or going part-time and gradually phasing out the day job once you’re assured of future writing income.)

• You turn into a horrible human being, a premature midlife crisis induced by your sudden change in status, and when you wake up from this delusion, you find the wreckage of your life all around you like an airplane’s burning fuselage. (In this case, you will probably have lost the affection of friends and family members, and possibly even the love of your spouse or partner.)

• You have trouble writing your second book because you’re too enamored of your own work, or because you’ve listened too closely to book reviewers or fans, relinquishing your vision in favor of a belief in theirs.

• You never write another book because you discover you don’t like everything that goes with having an actual career.

Can you avoid these outcomes? Of course — you may be the type of personality that is resistant to all the dangers of success; I don’t mean to suggest these scenarios are inevitable, or even likely. But if you are susceptible, you probably won’t avoid problems because of reading these words, although possibly you can limit their impact.

Alas, success is an emotional rather than intellectual experience. No matter what counsel I give you, you may still get the bends trying to adjust to success. All I can advise is that when success comes, try not to make any sudden changes in your life. Try, no matter how hard it might be, to simply enjoy it and incorporate it into your existing paradigm.

As for me, I was the jerk with thirteen pairs of shoes. They still stare at me from the closet, a Greek chorus shouting “idiot!” every time I walk past them.

>>Test this section of Booklife: What other problems does success bring to writers? What have you experienced?