April 2011

The Dead Man & the Bobble-Headed Elvis: Meet James L. Daniels

James L. Daniels has been paying his dues.  He’s been sending out stories, novel-length manuscripts, and queries off and on for 14 years.  He’s worked a day job all the while, and has had successes, frustrations, and genuine head-scratchers.  He’s never been published until this year.

Last year, Daniels emailed a manuscript to the novelist and TV writer Lee Goldberg, who gave him encouragement and advice.  Recently, Goldberg also gave Daniels a shot at writing an installment in the new action-adventure series, The Dead Man. 

“I was immediately struck by James’ obvious talent and vivid prose,” said Goldberg. “I was so impressed with the writing, with his fully-realized and compelling characters, sharp dialog, and strong voice, that I recommended him to my literary agent.”
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In the Hands of a Master: The Top Suspense Group on Creating & Sustaining Suspense

“Suspense is what keeps the reader needing to turn the page to find out what’s going to happen next,” says novelist Dave Zeltserman in Both Gut & Brain. “It doesn’t matter whether the story involves a couple whose relationship may be falling apart or a hero in deadly peril, if we’ve made it impossible for the reader to put down the book then as writers we’ve done our job in creating a strong sense of suspense.”

If we’ve made it impossible for the reader to put down the book…  That’s a pretty big “if”.  Below, on the day of release of Top Suspense: 13 Classic Stories, the first e-book anthology of the Top Suspense Group, six contributors to the anthology return to talk about how to create and sustain suspense—how to make it impossible for the reader to put down our book.
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