Friday’s Links: Whitewashing, Working Writers and the Great Chain of Rejection

Take a look behind the scenes at the process responsible for making James Patterson one of the best-selling authors in America.

Alarmed by rampant reports of internet book piracy, author Tess Gerritsen writes about what she found when she went looking for her own books online.

Working writers: when do you know it’s time to quit your day job?

The Huffington Post shares photos of some of the world’s most amazing libraries.

Carolyn Kellogg covers Bloomsbury USA’s second “whitewashing” incident, wherein a white character is placed on the cover of a book about a dark-skinned character.

Publishers try to protect e-book prices from Apple, Amazon.

Received a rejection letter? Take heart! You’re a part of a great chain of rejection.

Kelly Burdick examines the implications of the New York Times paywall.

Richard MacManus suggests several tools for monitoring topics online.

Shedding some light on foreign rights.

n653213921_1671825_1056996Matt Staggs is a literary publicist and the proprietor of Deep Eight LLC, a boutique publicity agency utilizing the best publicity practices from the worlds of traditional media and evolving social technologies. He has worked in the fields of public relations and journalism for almost a decade. In addition to his work as a publicist, Matt is a book reviewer and writer whose work appears in both print and web publications.

Book tours, traditional and otherwise: are they for you?

In an essay for the New York Times, author Stephen Elliot wrote about his decision to eschew the traditional book tour model in favor of scheduling readings in the private homes of his fans. Elliot went where he was invited, reading in living rooms across the United States and depending on his hosts for overnight lodging. Overall, Elliot managed to sell over a thousand books on his tour and generate significant publicity along the way.

Elliot is an established author with seven published books and the founder of the popular culture and literary website The Rumpus. While Elliot’s D.I.Y. book tour seems to have been a resounding success, would such a strategy work for other, less successful writers?

Lauren Cerand, an independent public relations representative and consultant in New York, thinks that lesser-known authors could definitely benefit from such an approach.

“Absolutely,” said Cerand. “Technology may have created new opportunities for authors who previously would not have been a high priority for their publishers in terms of promotion, but it has also made it more imperative than ever to know –– and reach –– your readers.”

Rusty Shelton of Phenix & Phenix Publicity liked Elliot’s approach, but feels that a book tour isn’t always the right way to go.

“I love the creativity behind Stephen Elliott’s book tour but I’m not sure I’d suggest it for every author. Book tours are really on the way out and we’re finding that the only way to make them work is to go after nontraditional venues – with nontraditional events,” said Shelton. “In other words, as Elliott notes in his piece, most bookstore signings (outside of an author’s local market or a market where they have a strong network) for authors that aren’t extremely famous are sparsely attended and a bit depressing.”

However, Shelton did say that efforts like these can result in a lot of publicity. This could potentially pay off in the long run by reaching more readers.

“Few publishers are shelling out for travel expenses on book tours anymore – frankly, I’m surprised Elliott’s publisher was willing to pay for travel, especially when most of the sales are wholesale as opposed to trackable retail sales. When you look at overall sales vs. expenses, I doubt the tour paid for itself. That said, Elliott made the most of out his tour with promotion. This NYT piece is huge for him and assuming his publicist went after local media in each market he visited, he likely received PR for his book he wouldn’t have snagged without a local tie-in.”

Cerand said that book tours and other public events should be coordinated with retailers in order to maximize effectiveness.  “I would recommend hooking up with a local bookseller or chain branch to make sure your sales register, and to expand the buzz.”

CONTINUED

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Friday’s Links: Pirates, Publishers and Profit

Samir Balwani writes about engaging your audience via the use of social media, offering that fear of actual interaction with potential customers – and the risks that it potentially brings – doom brands to mediocrity.

A recent study from Attributor indicates that online book piracy is pervasive, according to Publishers Weekly.

Author Jim C. Hines is skeptical regarding the piracy study. Read his response here.

BookEnds LLC offers a few tips on avoiding literary scams.

Three US universities have agreed to not buy the Kindle based on accessibility issues regarding its potential use by blind students.

Literary agent Rachelle Gardner wonders how readers discover new books. She’s asking for your input.

Michiko Kakutani reviews Jaron Lanier’s You Are Not a Gadget, a warning against the collectivism and anonymity of the internet. No Luddite, Lanier is a pioneer in the field of virtual reality and a silicone valley veteran.

Dennis Johnson reports that industry mag Editor & Publisher will continue publication under a new owner.

Xerox has teamed up with On Demand books to market and sell their Espresso Book Machine.

Stuart Evers on “What Writers Risk in Not Repeating Themselves”

n653213921_1671825_1056996Matt Staggs is a literary publicist and the proprietor of Deep Eight LLC, a boutique publicity agency utilizing the best publicity practices from the worlds of traditional media and evolving social technologies. He has worked in the fields of public relations and journalism for almost a decade. In addition to his work as a publicist, Matt is a book reviewer and writer whose work appears in both print and web publications.

Friday’s Links: Secret Police, Android Dreams and the Future Revealed

Former publisher and current industry consultant shares eight predicts for publishing in the next decade.

Plans have been announced to publish the Stasi records of novelist Gunter Grass.

The pros and cons of publishing a mystery with a large or small press are considered at the BookEnds blog.

Futurist Ray Kurzweil is trying to build a better e-book platform.

Meanwhile, Sydney Morning Herald columnist Gabriella Coslovich argues that e-books lack the “magic of the real thing.”

Michael Berry offers five lessons on writing from H.P. Lovecraft (some of which use the author and his work as examples of what not to do.)

LibraryThing launches Local Books, an iPhone app that provides information on local literary events.

The estate of Philip K. Dick is threatening Google with litigation over the name of their new phone, the Nexus One. They claim that it is suspiciously close to the name of the android model, Nexus Six, written about in Do Androids Dream of Electric Sheep?, the basis for the movie Blade Runner.

Publisher’s Weekly reports that holiday sales at Barnes & Noble fell five percent short of expectations.

Deena Drewis at The Millions writes an eloquent defense of editors and their work.

n653213921_1671825_1056996Matt Staggs is a literary publicist and the proprietor of Deep Eight LLC, a boutique publicity agency utilizing the best publicity practices from the worlds of traditional media and evolving social technologies. He has worked in the fields of public relations and journalism for almost a decade. In addition to his work as a publicist, Matt is a book reviewer and writer whose work appears in both print and web publications.